Heather Niemi Savage Music December 2025 Newsletter


The break between the end of Fall semester and the beginning of Spring semester was a couple days shy of one month! Not long enough!!!

In that time, I had four performances, Christmas, a trip to Florida to see my in-laws, writing 2 syllabi, continuing to work on my app, finishing a piece, and - most of all - a trip to South Bend Indiana to see the South Bend Symphony perform my piece Daughter of the Stars.

That kind of schedule is a bit crazy; I have to be honest. And there were points where I wondered what I was thinking trying to cram all that in.

But sometimes you just have to DO. Make it happen. People say, "Prioritize!"

Well, prioritizing is for the birds when it's all important and all has to get done.

When I get overwhelmed, I just take a deep breath or two and say, "Don't worry, it will all get done." And somehow, it does.

Well, not ALL of it. Like housework, for example. Housework does not get done. I wonder why...

But we eat, mostly healthy food. And we are clothed with clean clothes.
So, good enough. (I have to give much credit to John!)

The trip to Indiana was amazing. I didn't bother to check where the symphony was performing because, one thing at a time, right?

First, make sure the weather is OK for traveling (I did NOT want to get caught in a snowstorm around Lake Michigan!)

Next, make sure the hotel is booked and you get there.

THEN figure out where to go for the rehearsal. It was of no import to me to know ahead of time where the venue was, because I was going to need GPS from the hotel no matter the situation.

It turns out the symphony was playing at Leighton Hall on the campus of the University of Notre Dame! This was on a bucket list I didn't know I had!

I never even imagined stepping foot on the campus, and then there I was walking around like I belonged there!

The symphony did such a wonderful job with my piece. The Maestra, Fernanda Lastra, took the piece a bit slower and pulled out all the tenderness. It felt like the orchestra and the audience together were holding something extremely precious.

I was able to meet several orchestra members and make some connections.

I also chatted with audience members after the concert. Some of them told me my piece was their favorite in the concert (shh....don't tell anyone!)

Of course, that is, in part, because it incorporated the tune Shenandoah, and any time you give the audience something they already know, they feel smart and like it a lot.

I am extremely grateful to Jennet Ingle, the principal oboist of the SB Symphony, who curated the concert and chose to include my piece! I told everyone it was a big deal because that was the 1st concert which included one of my pieces that someone had to buy a ticket to attend!

In other news...

I finished the last movement of my piece Bridges for solo piano. I am looking forward to premiering it in its entirety when Paul Pulsipher and I put on our recital. Our January 24 date in Nashville was snowed out. If you haven't heard, 2/3 of the US had a bad storm last weekend!

We only got ice and a dusting of snow in my immediate area. We did not get as much ice as expected, which we are very grateful for. Widespread and long-lasting power outages were predicted, but we did not lose power at all.

That said, school is still out because the roads are still icy.

The north sides of the mountains and hills do not get much sun, so there are places where it will take a while for the roads to be passable.

I created videos this week in lieu of going up to Boone to teach, since in-person classes were canceled.

I now have a fair amount of experience making videos teaching music between snow days and my app...

In The Music Hub (App)

Contact me about learning piano by responding to this email.

Or you can fill out this brief survey: https://docs.google.com/forms/d/e/1FAIpQLSe2Rg8TR3FvnlDvgckeLEtgC4RzSmOtmHNZJZzvATz3loMMMA/viewform?usp=header

In the Concert Hall - Jan. & Feb.

January 31 (Hickory, NC) & February 21 (Nashville, TN): Variations of Transformation - Paul Pulsipher and I are presenting a joint piano recital which will feature our co-composed piano duet, Variations of Transformation.

You can purchase tickets to the Hickory concert here:

https://www.eventbrite.com/e/1975122257842?aff=oddtdtcreator

February 7 - Arethusa, for full orchestra, will be performed by the Arkansas Philharmonic Orchestra in Bentonville, AR! It's an all-American concert, and I am super thrilled to be on a program with Florence Price and George Gershwin!!!

You can purchase tickets to this concert here:

American Essence | Arkansas Philharmonic Orchestra

March 7, 8PM - Who Has Seen the Wind, soprano and piano & Three Short Pieces, for solo clarinet at the International Festival of Music by Women at Mississippi University, Colombus, MS. Free and open to the public.

March 20 & 21 - exact time TBD - Three Short Pieces, for solo clarinet at the Society of Composers, Inc southeast regional conference at Appalachian State University. (I am also performing a piano piece by my friend Jane K. and some art songs, including one by my friend Leah Reid.) Free (to non-composers) and open to the public.

On the Blog & YouTube

The importance of art, and beauty in general, has been on my mind lately. I am reading a book called Feeling Beauty which talks about art as an experience. It's a great book, and it will probably show up in my writing soon enough.

In the meantime, I wrote a post about how hope is an act of resistance and art sustains hope. You can find it here:

Art for Hope's Sake

In the Classroom

I have lesson plans for two composition projects available. One, for writing a simple children's song. The other for writing an easy Blues tune. If you would like one of these lesson plans to use in your classroom, respond to this email and let me know!

In the Composition Studio

I have been writing lots of new, small pieces for beginners for my app. I will eventually write a blog post about that process.

I finished the last movement of Bridges.

I am now working on a very short piece (2-4') for English Horn and Guitar. I think it will be a tango, and it is tentatively about chocolate and chili.

I am writing it for an oboe/EH played in Jennet Ingle's class, and we discovered we both like tangoes.

Then, in a workshop, I was encouraged to think about music using different types of questions, and I came across a new one:

How does the music taste?

My favorite chocolate bar at Aldi is the dark chocolate/chili, and I thought that would be a perfect "flavor" for a tango with English Horn and guitar.

On Monday, I have my 1st meeting with Kirsten Kunkle in regard to my chamber opera, Mirrors.

And I keep plugging away on the project with Mary (painter) and Cara (poet) which the blog post above is about.

I normally don't like to have so many composition projects going on all at once, but they are all at different stages and need different types of attention, so it will be OK.

It's kind of like cooking a large meal. Different dishes have to be put on the burner or in the oven at different times. And some need an occasional stir, some need constant watching, and others can be forgotten about until the buzzer goes off. (No composition can be forgotten, but you get the idea...)

And then my friend put a bug in my ear to set her Requiem...

But I promised myself no more pieces in 2026! 2026 is FULL!!!!!

That said, if I finish the opera early, I have yet another project on deck!

On the Website

I realized I never hooked up the page to my woodwind quintet, Mountain Heartleaf. If you haven't seen it, you can find it here:

Mountain Heartleaf, for woodwind quintet

On the Air

I am very behind in the podcast... working on it! I hope to get it back up and running this month.

Fun Stuff

Here's a pic from the South Bend Symphony concert!

Kincaid Rabb is in the middle. They wrote a concerto for Jennet, who is to their right, and I am to their left. Fernanda Lastra is to my left.

Please forward this email to someone you think might be interested.

If you have performed one of my pieces, please let me know through this link:

https://heatherniemisavage.com/report-a-performance-2/

Many, many thanks for your support!

Feel free to email me: heather@heatherniemisavage.com. I'd love to hear from you!

Happy Music Making!

Heather Niemi Savage

Follow me on social media!

If you have not subscribed to this newsletter but would like to, you can sign up here: https://heather-niemi-savage-music.ck.page/19ebe7c431. I keep your information private, and you can unsubscribe at any time.

www.heatherniemisavage.com
Unsubscribe · Preferences

Heather Niemi Savage Music

Compositions for musicians seeking new music Musings on the creative life Interviews with musicians and ensembles making a difference in their communities

Read more from Heather Niemi Savage Music

Issue #3 Notes from The Music Hub March 23, 2025 Beginning Pianist Mistake #3 This week, I'm continuing my series on mistakes beginner pianists often make. In the picture above, someone is using the middle pedal of a piano. Is their foot positioned properly? This person has some things correct and some things incorrect. One thing this person got right is that both feet are in front of them, near the pedals. Exactly where someone will place their feet while not pressing a pedal is somewhat...

Issue #3 Notes from The Music Hub March 23, 2025 Beginning Pianist Mistake #2 This week, I'm continuing my series on mistakes beginner pianists often make. The picture above is a snapshot from the song demonstration video from Lesson 21, in which I demonstrate both the proper way to tuck the thumb under other fingers and the improper way. Do you know if the picture above is the correct way or the incorrect way? What gives the answer away? The answer is: the above picture demonstrates...

Wow, what a month! March was an absolutely crazy month! In the four full weekends in March, I attended conferences during 3 of them and turned 50 during the other! March 5-7, I was at the International Festival of Music by Women. Two of my pieces were performed: Who Has Seen the Wind, an art song setting Christina Rosetti's poem of the same name and Three Short Pieces (originally written for saxophone but rearranged for clarinet.) Rebecca Coberly beautifully sang and Jonathan Levin...